Description: LOVE - LOVE REVISITED 180 Gram Limited Edition classic LP high-definition Heavy Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. BOTH NEVER HAD STORE PRICE STICKERS ATTACHED TO THE PLASTIC WRAP AND COMPLETE WITH THEIR VERIFYING COLLECTORS ORIGINAL RELEASE 1ST & 2ND EDITION MARKETING/HYPE STICKERS PROVING THAT THESE LPS ARE THE ORIGINAL ISSUES OF THESE EDITIONS AND THAT THESE ISSUES WERE pressed ON 180 OR 150 GRAM PREMIUM REMASTERED VINYL AND THAT THOSE STICKERS ARE STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON'T SEE THESE STICKERS ATTACHED YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THESE RELEASES. 1ST EDITION SUNDAZED 2001 RELEASE WITH THE 180 GRAM BLACK & GOLD STICKER ATTACHED TO THE PLASTIC WRAP ONLY AVAILABLE ON THIS ORIGINAL 180 GRAM VINYL 2001 EDITION LP PRESSING - WE FOUND ONE LAST COPY IN THIS HEAVY VINYL 180G GRAM ORIGINAL EDITION STICKER PRESSING. COLLECTORS NOTE: THIS IS THE SUNDAZED 1ST EDITION HEAVY VINYL 180 GRAM LP WHICH INCLUDES THE ORIGINAL MARKETING STICKER FOR THEIR 180 GRAM VINYL EDITION. SUNDAZED RECORDS HAD THESE STICKERS ON THEIR LIMITED EDITION 180 GRAM WEIGHTS BEFORE THEY WENT TO PRESSING THEM IN THE 150 GRAM WEIGHT IN THEIR NEXT 2017 GENERATION. COLLECTORS SEEK OUT ORIGINAL EDITIONS WITH ORIGINAL STICKERS AND YOU SHOULD NOT MISS THIS 180 GRAM WITH THE ORIGINAL MARKETING STICKER 180 GRAM VINYL EDITION WHICH DATES BACK TO THE ORIGINAL 2001 1ST EDITION 180 GRAM PRESSINGS. COLLECTORS NOTE: THIS IS THE ORIGINAL OUT OF PRINT 2001 ISSUES WITH THE 180 MARKETING STICKERS ATTACHED ON THE FRONT OF THE PLASTIC WRAP VERIFY IT'S ORIGINAL 180 GRAM PRESSING FROM ALMOST TWO DECADE AGO. THE RECENT 150 GRAM SECOND EDITION 2017 RE-ISSUES OF THIS ISSUE HAVE THE SAME RELEASE DATE & UPC CODE IS THE SAME FOR THE 2001 ISSUE AS WELL AS THE 2017 PRESSING. FOR COLLECTORS OF 1ST 180 GRAM ISSUES MUST HAVE THE 180 GRAM STICKER AND IS THE ONLY WAY YOU CAN VERIFY YOU OWN THE 1ST EDITION OF THIS LOVE REVISITED PRESSINGS. MANUFACTURES ARE CHEATING THE COLLECTOR THESE DAYS WHEN THEY DO A RE-ISSUE ALMOST A DECADE LATER. IN THE OLD & HONEST DAYS MANUFACTURES NEVER PLACED THE SAME UPC CODE ON A RE-ISSUE LIKE THEY DO THESE DAYS. BUT LUCKY THAT SELLERS LIKE US CAN PROVIDE COLLECTORS WHO WANT TO PURCHASED IN THE 1ST GENERATION 180 GRAM ISSUES FOR THEIR COLLECTION WE ARE ABLE TO POINT OUT THESE VERIFY STICKER TO SEPARATE THE 1ST GENERATION FROM THE RE-ISSUE FOR COLLECTORS. SO IF YOU ARE A COLLECTOR OF 1ST GENERATION PRESSINGS PLEASE NOTE IN OUR PICTURE THE STICKER ON THE TITLE VERSES THE HEAVY VINYL STICKER YOU SEE ON THE RE-ISSUE WE ARE OFFERING HERE. PLUS AS A FREE BONUS THE BEST OF LOVE 22 TRACKS IMPORT SEALED CD Jimi Hendrix wasn’t the only black musician making inspired psychedelic rock in 1966. Memphis-born, L.A.-bred Arthur Lee combined his flair for Technicolor R & B with Bryan MacLean’s talent for ornate show tunes to form a wonderfully schizophrenic combination in Love. From the original analog master tapes comes this exact reproduction of the original Elektra BEST OF, with tracks from the first four Love albums. Not available on any other LP or CD format. Tracks include: My Little Red Book - Softy to Me - Hey Joe - Signed D.C. - 7 and 7 Is - Orange Skies - Your Mind And We Belong Together - She Comes In Colors - Along Again Or - AndMoreAgain - Your Friend And Mine - Good times - You Set The Scene THE BEST OF LOVE CD - Out-of-print in the US! The definitive single disc compilation from the Psychedelic Popsters lead by the forever-troubled Arthur Lee. 22 tracks including 'My Little Red Book', 'Seven & Seven Is', 'Alone Again Or' and more. Warner One of the most brilliant and iconoclastic bands in all of rock, "Love" (aka, "Arthur Lee and Love") has a unique sound that defies categorization. Web encyclopedia "Wikipedia" lists them in genres rock and roll," folk-rock." Psychedelic rock," and Psych-Folk," all labels which are essentially accurate, but none of which, of course, encapsulates their sound and attitude. They're a paradoxical group, based in L.A. but with San Francisco sensibilities, remarkably angry but incredibly tender, destined for fortune but ending with fame (although within a relatively small circle). Still, one is tempted to find some antecedents to their meandering mixture of punk, balladry, beach music, jazz, and the hodgepodge of styles and sounds that became known as "psychedelia." A comparison with other groups yields a wine-tasting compendium of notes: Pre-dating them, I hear the loose, raucous, playful sound of the Kingsmen's 1965 recording of "Louie, Louie," the romantic lyricism, precious posturing, and baroque textures of Left Banke's "Pretty Ballerina (1966)," the Stones' 1967 "Something Happened to Me Yesterday" and "Dandelion," Donovan, and the mid-1960`s politics and experimentation of the Yardbirds. Contemporary sounds include the Stones (who apparently lifted some of the lyrics to "She Comes in Colors"), the Kinks, with their own fresh musical synthesis (Ray Davies would later produce one of Love's albums), the very electric guitar solos recalling Muddy Waters and Jimi Hendrix, and the humor, parody, and harmonies of the Turtles. (Arthur Lee produced a 1964 record with Hendrix on guitar, and Hendrix appeared on the group's 1970 "False Start" album). Obviously, this is not a comprehensive list, but it perhaps suggests the heterogeneity of their influences, producing a unique and varying collection of songs. Probably their three most famous numbers are the punk-Neanderthal version of Burt Bacharach's (!) "Little Red Book," "Seven and Seven Is," also known as "the atom bomb song" because of its thunderous A-bomb closing, and an ultra-fast version of Billy Roberts' "Hey Joe" (most famously done by Hendrix). "Little Red Book" mocks the original, with a dominating and driving beat--anchored in the drums and bass--that prefigures Punk. Love's version of "Hey Joe" is sheer genius, the vocals break up the lyrics into nursery rhyme fragments, in ironic contrast to the homicidal, misogynistic lyrics ("I shot my old lady down"). While there are many facets to "Love," their romantic, free-spirited (but less well-known) songs contrast most heavily with the hits mentioned above. These songs don't have the easy structure that marked pop/rock music of the era, but drift in several directions--a little like Jefferson Airplane, but again, pretty hard to compare to anyone else. "Orange Sky" and "She Comes in Colors" are, respectively, an introspective ballad and a jazz-inflected number that--I hate to say it--seems hippie-like: "...My love, she comes in colors... you can tell her from the clothes she wears," unless it makes you think of Yardley, who (somewhat like the Stones) appropriated the color obsession to sell their products. Lest the band seem too obscure or inaccessible, just listen to the twin songs of "Alone Again Or" and "And More Again." These are as romantic as anything Bacharach wrote, especially the flamenco-tinged former, in which the band expresses a surprisingly powerful statement of love and idealism. The band creatively used wind instruments: The clarinet gave a floaty jazz feeling to several numbers, and the trumpet and sax supported the rhythm section and supplied solos. "Your Mind and We Belong Together" has a jangly "Byrds" guitar backing, a group that influenced Lee. "Laughing Stock" is an unusual self-referential song that somehow works, while "Your Friend and Mine--Neil's Song," is right out of "The Lovin' Spoonful." "Robert Montgomery" features their deeply "electrified" sound with surprising tempo and chord changes, and outstanding guitar work. A few more song notes: Fans will know that "From D. C.," a relatively well-known and widely praised song, is about a former band member's bout with drugs, but the remarkable thing is how well the total sound conveys melancholy and yearning. "Can't Explain" is a rollicking sound that seems transplanted from mid-60's London and "Softly to Me" is an oddly endearing love song with awkward repetitions of the word "darling," and "Stephanie Knows Who" is an energetic, even wild kind of punk jazz. In summation, there can be no summation, because no band has ever approached their unique and wildly diverse style. These days we demand a specific identity from our bands--it's easier on our brains, and the commodification sells more records. While this was also true in the buoyant late-1960's days of "Love," the band managed to transcend these limits, and, for a brief time and for too small an audience, to triumph. Rhino Records compilation of their mostly 1967-68 material is an essential document of one of the greatest bands of that or any other era Track Listings 1. My Little Red Book 2. Can't Explain 3. Softly To Me 4. No Matter What You Do 5. Hey Joe 6. Signed D.C. 7. Seven & Seven Is 8. Stephanie Knows Who 9. Orange Skies 10. Que Vida! 11. She Comes In Colors 12. Alone Again Or 13. Andmoreagain 14. Maybe The People Would Be The Times Or Between Clark And Hilldale 15. Live And Let Live 16. You Set The Scene 17. Your Mind And We Belong Together 18. Laughing Stock 19. Singing Cowboy 20. Your Friend And Mine-Neil's Song 21. Robert Montgomery 22. Always See Your Face E-BAY STORE. FOR YOUR INDIVIDUAL VINYL HITS SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN BIGHITS OR LOVE LP INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEARThe ultimate record -- the way music was meant to be heard.> For hundreds of additional Rare, Out of Print, Factory-Sealed Audiophile Recordings, visit mymusicfix E-Bay Store by hitting the “STORE” TAB on this titles’ Home Page. A SONIC WORK OF ART. This Limited Edition gem. Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the “STORE” tab on the Title Purchase Page to view our current items up on E-Bay. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. DOLP 180G BIGHITS2 On Sep-26-08 at 20:42:54 PDT, seller added the following information: International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "gift" or lower it's value in order to avoid customs fees. INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. 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Price: 74.99 USD
Location: Lake Forest, California
End Time: 2025-01-15T18:30:22.000Z
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Product Images
Item Specifics
All returns accepted: ReturnsNotAccepted
Artist: Love
Speed: 33 RPM
Record Label: Sundazed
Release Title: Revisited
Color: Black
Material: Vinyl
Edition: Best Of, Collector's Edition, Deluxe Edition, First Edition, First Pressing, Greatest Hits, Limited Edition, Rarities Edition, Remastered, Special Edition
Type: LP
Format: Record
Producer: Arthur Lee
Release Year: 2002
Style: Rock 'n' Roll
Record Size: 12"
Features: Compilation, Original Cover, Original Inner Sleeve, Remastered, Sealed, 180 - 220 gram, 1st Edition, Limited Edition
Genre: Psychedelic/Garage
Country/Region of Manufacture: United States
