France, Catholic Saint J. d’Arc, 74x54 mm, 1931, Lenoir

Description: This plaque is a part of my French medals collection Visit my page with the offers, please. You will find many interesting items related to this subject. If you are interested in other medals, related to this subject, click here, Cast Iron Plaques & Medallions Decorative Metal Items France, related to This medal has been minted in 1931 to commemorate the 500th anniversary of the martyrdom of the French catholic saint and the national heroine, Joan d’ARC, 1412 - 1431. This medal has been designed by J.-P. LENOIR. Saint Joan of Arc or The Maid of Orléans (French: Jeanne d'Arc, IPA: [ʒan daʁk]; ca. 1412 – 30 May 1431) is considered a national heroine of France and a Catholic saint. A peasant girl born in eastern France who claimed Divine guidance, she led the French army to several important victories during the Hundred Years' War which paved the way for the coronation of Charles VII. She was captured by the Burgundians, sold to the English, tried by an ecclesiastical court, and burned at the stake when she was nineteen years old. Twenty-five years after the execution, Pope Callixtus III examined the trial, pronounced her innocent and declared her a martyr. She was beatified in 1909 and canonized in 1920. She is, along with St. Denis, St. Martin of Tours, St. Louis IX, and St. Theresa of Lisieux, one of the patron saints of France. av; The events from the life of Jean d’Arc rv. The commemorative inscription in Latin diameter - 74 mm x 54 mm, (ca 3” x 2¼“) weight – 101.30 gr, (3.57 oz) metal – silver plated, authentic old patina Down to the present day, Joan of Arc has remained a significant figure in Western culture. From Napoleon onward, French politicians of all leanings have invoked her memory. Famous writers and composers who have created works about her include: Shakespeare (Henry VI, Part 1), Voltaire (La Pucelle d'Orléans), Schiller (Die Jungfrau von Orléans ), Verdi (Giovanna d'Arco), Tchaikovsky (Орлеанская дева), Mark Twain (Personal Recollections of Joan of Arc), Jean Anouilh (L'Alouette), Bertolt Brecht (Die heilige Johanna der Schlachthöfe), George Bernard Shaw (Saint Joan), and Maxwell Anderson (Joan of Lorraine). Depictions of her continue in film, theater, television, video games, music, and performance. Canonization She became a symbol of the Catholic League during the 16th century. When Félix Dupanloup was made bishop of Orléans in 1849, he pronounced a fervid panegyric on Joan of Arc, which attracted attention in England as well as France and he led the efforts which culminated in Joan of Arc's beatification in 1909. Pope Benedict XV canonized Joan on 16 May 1920. As Saint Joan of Arc, she has become one of the most popular saints of the Roman Catholic Church. Legacy Joan of Arc became a semi-legendary figure for the next four centuries. The main sources of information about her were chronicles. Five original manuscripts of her condemnation trial surfaced in old archives during the 19th century. Soon historians also located the complete records of her rehabilitation trial, which contained sworn testimony from 115 witnesses, and the original French notes for the Latin condemnation trial transcript. Various contemporary letters also emerged, three of which carry the signature "Jehanne" in the unsteady hand of a person learning to write. This unusual wealth of primary source material is one reason DeVries declares, "No person of the Middle Ages, male or female, has been the subject of more study". Joan of Arc was not a feminist. She operated within a religious tradition that believed an exceptional person from any level of society might receive a divine calling. She expelled women from the French army and may have struck one stubborn camp follower with the flat of a sword. Nonetheless, some of her most significant aid came from women. King Charles VII's mother-in-law, Yolande of Aragon, confirmed Joan's virginity and financed her departure to Orléans. Joan of Luxembourg, aunt to the count of Luxembourg who held custody of her after Compiègne, alleviated her conditions of captivity and may have delayed her sale to the English. Finally, Anne of Burgundy, the duchess of Bedford and wife to the regent of England, declared Joan a virgin during pretrial inquiries. For technical reasons this prevented the court from charging her with witchcraft. Ultimately this provided part of the basis for her vindication and sainthood. From Christine de Pizan to the present, women have looked to her as a positive example of a brave and active female. Joan of Arc has been a political symbol in France since the time of Napoleon. Liberals emphasised her humble origins. Early conservatives stressed her support of the monarchy. Later conservatives recalled her nationalism. During World War II, both the Vichy Regime and the French Resistance used her image: Vichy propaganda remembered her campaign against the English with posters that showed British warplanes bombing Rouen and the ominous caption: "They Always Return to the Scene of Their Crimes." The resistance emphasised her fight against foreign occupation and her origins in the province of Lorraine, which had fallen under Nazi control. Three separate vessels of the French Navy have been named after her, including a helicopter carrier which was retired from active service on 7 June 2010. At present the controversial French far-right political party Front National holds rallies at her statues, reproduces her likeness in party publications, and uses a tricolor flame partly symbolic of her martyrdom as its emblem. This party's opponents sometimes satirize its appropriation of her image. The French civic holiday in her honour is the second Sunday of May. Traditionalist Catholics, in France and elsewhere, also use her as a symbol of inspiration, often comparing the 1988 excommunication of Archbishop Marcel Lefebvre (founder of the Society of St. Pius X and a dissident against the Vatican II reforms), to her excommunication. Philippe-Alexandre Le Brun de Charmettes is the first historian who wrote Joan of Arc's complete history in 1817, in an attempt to restore her family's reputation from Joan's status as a relapsed heretic. His interest in Joan came at a time when France was still struggling to define its new identity after the Revolution and the Napoleonic wars. The national ethos was in search of non controversial heroes. A staunch supporter of King and country, Joan of Arc was an acceptable symbol to the monarchists. As a patriot and the daughter of commoners, she was seen as one prototype of the low-born volunteers (the soldats de l'an II) who had victoriously fought for revolutionary France in 1802 and as such could be claimed by the Republicans. As a religious martyr, she was also popular in the powerful Catholic community. De Charmette's Orleanide, today largely forgotten, was another attempt to magnify the national ethos as writers like Virgil (the Aeneid), or Camoens (the Lusiad) had done for Rome and Portugal.

Price: 244.9 USD

Location: Sliema,

End Time: 2025-01-01T16:48:37.000Z

Shipping Cost: 12 USD